Caitlin Brown
she/her
Hall of Records
Expanding my painting practice into miniature paper model-making and digital animation becomes an act of preservation. By playing with scale and employing the nostalgic, domestic symbol of the dollhouse, my work explores the fragility of memory and loss of history– both personal and collective, through the lens of my dual Irish-US identity.
Carefully crafted from recycled materials, a network of vividly painted rooms, whitewashed interiors and miniature theatre sets emphasise the unreliability, decayability, and inaccessibility of the fragmented recollections. Playful animations of quietly intimate moments further establish a dialogue between past and present.
My practice is influenced by the collaborations of artists Miriam Schapiro and Sherry Brody in “Dollhouse” (1972) and Kristin Reiman and Filippa Pettersson with “Museum of Termitology and Plastic-Plastic” (2024), as well as the exploration of time and place in “Here” (2014) by Richard McGuire.
Hall of Records, paper models, acrylic painting, recycled materials, video with digital animation, installation view
Hall of Records, painting detail
Hall of Records, matchbox model detail
Hall of Records, model detail
Hall of Records, painting detail
Hall of Records, matchbox model detail
Hall of Records, theatre box detail
Hall of Records, model detail
Hall of Records, painting detail
Hall of Records, box painting detail