Dominika Ruiz Rodriguez
she/her
Dreams: The First Lens of Cinema
'Dreams: The First Lens of Cinema' explores dreams as an artistic practice in film, tracing their emergence through Surrealist experimentation and the influence of psychoanalysis on visual culture. The focus is on three key areas:
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How dreams shape cinematic techniques, using visual effects and fragmented storytelling.
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The portrayal of the unconscious in Maya Deren’s 'Meshes of the Afternoon' (1943), emphasising its experimental form.
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The role of dreams and memory in Pedro Almodóvar’s 'Pain and Glory' (2019), where substances alter recollections and water symbolises the divide between consciousness and the unconscious.
Dominika Ruiz is a cultural researcher and curator with interests in film aesthetics, screenwriting, music, and art history. She studied at Università di Bologna (Erasmus+) and, in 2024, wrote a catalogue essay for 'Belong', an exhibition at the European Parliament Office in Ireland. She aims to curate international film events, deepen her research in film and visual culture, and pursue art direction.
Meshes of the Afternoon (1943), silent short-film by M. Deren and A. Hackenschmied
Meshes of the Afternoon (1943), silent short-film by M. Deren and A. Hackenschmied
Research
Pain and Glory (2019) by P. Almodóvar and El Deseo
Pain and Glory (2019), P. Almodóvar and El Deseo