Jodie Harper
she/her
The Touch That Wounds
This body of work is inspired by misogyny and the male gaze. My starting reference is the Baroque artist Artemisia Gentileschi. Through her well-documented experiences of (double) violence– first as a victim of rape, and then a victim of torture metered out by male justice, the hand became the central visual motif in my work: hands used in defence, hands tortured, hands of an empowered defiant artist.
I aim to highlight the continued prevalence of these issues of contemporary misogyny and abuse against women. This work challenges notions of what is ‘desirable' or 'attractive’, contrasting them with a morbid fascination of torture, power and control- forces that continue to deform the individual physically as well as mentally.
The work also references the disturbing reality that approximately 65%, around 6 in 10, women in Ireland experience some form of sexual abuse, assault, or harassment. This increased during the COVID-19 pandemic, as reflected through the medical gloves used. Jodie Harper is an art educator and artist specialising in textiles.
NCAD Works 2025 exhibition, installation view
NCAD Works 2025 exhibition, installation view
Crocheted Rope and Distorted Hands, close-up
Crocheted Roped, close-up
Distorted Hands, close-up
Teaching Placements
Drogheda Grammar School, Drogheda, Co. Louth
St. Mary’s Catholic Diocesan School, Drogheda, Co. Louth
St. Tiernan’s Community School, Balally, Dublin 18
St Michael's House Special National School, Raheny, Dublin 5