Professor Sarah Glennie ∙ Director

NCAD WORKS 2025 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes.

We are extremely proud of this year’s graduating students who each in different  ways demonstrate NCAD’s belief in the vital contribution that creative practice makes to our society as a force that creates space for care, reflection, innovation and new thinking—all of which are essential to a cohesive and dynamic society and economy. 

NCAD’s graduates are the pipeline that drive Ireland’s creative and cultural sectors and their work will have an impact across society in years to come. 

Their own lived experience of our complex world is central to our graduates’ work.  As part of their journey, NCAD students have the opportunity to develop their creative practice beyond the walls of campus through long-term engagements with community partners and collaborators in a range of settings.  These collaborations expand their experience and understanding of key societal issues such as housing, cultural identity and social cohesion and climate crises, and are reflected in their final projects.

The work of this generation of NCAD students not only provides critical insights into society today, but also reminds us that the possibility of transformation exists with fresh, solution-focused thinking. Their creativity reinforces the power of art and design to influence and inspire real change. 

We hope you enjoy this digital experience of the work of our extraordinary graduates. 

We are extremely proud of all that they have achieved, and we look forward to following their creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

6–14 June

Fri 6 6pm–9pm
Sat 7 10am–5pm
Sun 8 10am–5pm
Mon 9 10am–8pm
Tue 10 10am–8pm
Wed 11 10am–8pm
Thu 12 10am–8pm
Fri 13 10am–8pm
Sat 14 10am–6pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
BA Applied Materials
Textile Art & Artefact
Hard Materials (Ceramics & Glass)
Media
Painting
Print
Sculpture & Expanded Practice
BA Visual Culture
MA Interaction Design
Prof. Dip. Service Design

Rua Red

Plás Parthalán, Tallaght
Directions

7–14 June

Sat 7 June 10am–6pm
Sun 8 June Closed
Mon 9 June 10am–6pm
Tues 10 June 10am–6pm
Wed 11 June 10am–6pm
Thur 12 June 10am–6pm
Fri 13 June 10am–6pm
Sat 14 June 10am–6pm

Courses on show:

MFA in Fine Art

Mary Maxwell

she/her

Photographs, Resonances, and the Liminal Landscape

These terms occurred in my research of the underexplored biography of a photographer artist Rose Shaw, as part of a larger endeavour to honour other women whose names are lost to history and the archive.

The liminal landscapes of the boglands are fitting metaphors for such loss, as these marginal landscapes share a parallel experiential historiography to that of the lost archive. Evidence of slow rehabilitation portends an optimistic reclamation of respect both for the land and for the reputations of women artists.

Following this degree, the hope is to continue with combining visual culture with my practice in photography, oral history, and archives to wrangle with words that illuminate and communicate my research, while engaging creatively in each process.

Shaw, R. [ca 1910]; The Dance on the Door of the House; Photograph copy courtesy NMNI

Shaw, R. [ca 1910]; The Dance on the Door of the House; Photograph copy courtesy NMNI

Shaw, R. [ca 1910]; Among the Stooks Ballyscally; courtesy of NMNI

Shaw, R. [ca 1910]; Among the Stooks Ballyscally; courtesy of NMNI