Noor Farsakh
she/her
Shorn
My practice explores the complex relationship between female hair, femininity, and the enduring impact of gender-based violence, with a particular focus on the cultural and historical significance of forced hair shearing in Ireland. Hair, traditionally a symbol of beauty, is reimagined in my work as a tool of humiliation and control, challenging conventional narratives around identity and bodily autonomy.
Drawing on the research of Linda Connolly, a professor and writer whose work examines the treatment of women during the Irish War of Independence, I investigate how hair holds memory and DNA, acting as an archive that reveals hidden histories of resistance, shame, and loss of bodily autonomy.
Through large-scale tapestry, silkscreen printing with unconventional materials, installation, and quilting using human hair, I tell the stories of women affected by these violent crimes. My work aims to bring attention to these often overlooked experiences, transforming symbols of shame into acts of remembrance.
Carpet, quilted human hair on cotton, hair bleach screenprinted text, 150 x 250cm
Hairball, five layer screenprint on Somerset Satin 300gsm, 76 x 112cm
Hairball II, variable dimensions, three soft human hair forms enclosed in a clear polycarbonate casing
Shorn, screenprinted hair bleach on quilted human hair, backed with duotone satin, 50 × 150cm
Close-up installation view
NCAD Works 2025 exhibition, installation view
NCAD Works 2025 exhibition, installation view
Bleach screenprint details on Carpet
NCAD Works 2025 exhibition, wall installation view