Professor Sarah Glennie ∙ Director

NCAD WORKS 2025 provides a portal to the full breadth of work by our extraordinary graduates from across our four schools of Fine Art, Design, Education, and Visual Culture and encompasses students graduating from our broad range of undergraduate, postgraduate, and CEAD programmes.

We are extremely proud of this year’s graduating students who each in different  ways demonstrate NCAD’s belief in the vital contribution that creative practice makes to our society as a force that creates space for care, reflection, innovation and new thinking—all of which are essential to a cohesive and dynamic society and economy. 

NCAD’s graduates are the pipeline that drive Ireland’s creative and cultural sectors and their work will have an impact across society in years to come. 

Their own lived experience of our complex world is central to our graduates’ work.  As part of their journey, NCAD students have the opportunity to develop their creative practice beyond the walls of campus through long-term engagements with community partners and collaborators in a range of settings.  These collaborations expand their experience and understanding of key societal issues such as housing, cultural identity and social cohesion and climate crises, and are reflected in their final projects.

The work of this generation of NCAD students not only provides critical insights into society today, but also reminds us that the possibility of transformation exists with fresh, solution-focused thinking. Their creativity reinforces the power of art and design to influence and inspire real change. 

We hope you enjoy this digital experience of the work of our extraordinary graduates. 

We are extremely proud of all that they have achieved, and we look forward to following their creative journeys in the future.

Thomas St Campus

100 Thomas Street
Directions

6–14 June

Fri 6 6pm–9pm
Sat 7 10am–5pm
Sun 8 10am–5pm
Mon 9 10am–8pm
Tue 10 10am–8pm
Wed 11 10am–8pm
Thu 12 10am–8pm
Fri 13 10am–8pm
Sat 14 10am–6pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
BA Applied Materials
Textile Art & Artefact
Hard Materials (Ceramics & Glass)
Media
Painting
Print
Sculpture & Expanded Practice
BA Visual Culture
MA Interaction Design
Prof. Dip. Service Design

Rua Red

Plás Parthalán, Tallaght
Directions

7–14 June

Sat 7 June 10am–6pm
Sun 8 June Closed
Mon 9 June 10am–6pm
Tues 10 June 10am–6pm
Wed 11 June 10am–6pm
Thur 12 June 10am–6pm
Fri 13 June 10am–6pm
Sat 14 June 10am–6pm

Courses on show:

MFA in Fine Art

Rosie Feeney

they/their

RUINED

I mostly remember feeling sick on the ferry from Holyhead, and then again in the car on the drive from Dublin.

I remember my great uncle eating banana sandwiches in his damp house with the company of his 26 sheepdogs he kept in a barn outside.

I remember feeding lambs, and going to wakes in the local pub.

I remember my aunt flying to Spain for pilgrimages she did barefoot, and feeling like there was just so much space everywhere.

I remember arriving home at the end of each summer with a sense of relief, back to civilisation I thought.

Back to busy streets, train rides to London and being the only Irish kid in school who dressed up for Paddy’s day.

One summer when I was sixteen, my parents announced we’d be moving there after the death of my great uncle.

It was moving home for my dad but moving to a place I’d rather not go on summer holidays, for me.

We had to rehome all the sheepdogs and sell the sheep.

I started at the local school where everyone’s parents were farmers, where my classmates’ weekends were filled with helping on the farm or going to mass.
I didn’t do either of those things.

As soon as I finished school I left for Dublin, searching for some sense of my previous life.

For the past few years I have been repairing my relationship with my homeland, and this project led me to a deeper understanding and appreciation of the people and landscapes I was trying for years to avoid.