Shane Miley
he/him
The Armature of the Transcendental
Drawing from my experience with synaesthesia, my work explores the interplay between sensory perception, music, and philosophical concepts of time and space, particularly through the lens of Kantian thought.
Each piece is an abstract, process-driven investigation that translates internal visions into meticulous visual forms. Informed by neuroscience and the psychology of perception, my practice aims to externalise the intricate, often therapeutic qualities of multi-sensory experience. By reconstructing these internal states, I seek not only to express a unique perceptual world, but to evoke its psychological benefits in others.
Studio shot
Homage to Albers, 2025, mixed media on board, 76 x 76cm
Bb7#5, 2025, mixed media on linen, 50 x 50cm