Shannon Jade Wilson
they/their
The Bleeding Tree
This multi-media project explores personal and collective grief through the symbolism of hair and trees in Irish mythology. The work centres around a series of delicate prints of hair on clothing, evoking memory, absence, and loss. These are accompanied by photographs of graveyard trees and mythologically significant tree species, overlaid with projected drawings of hair, blurring boundaries between the physical and the ephemeral. The project culminates in a three-minute animation drawn from the diary entries of my grandfather, written in 2017, the year of my grandmother’s passing.
Through layered visuals of handwriting, transforming strands of hair, and mythological motifs such as the banshee, the animation becomes a memorial of the transformation and stages of grief. Weaving together personal narrative and cultural symbolism, The Bleeding Tree invites viewers into an intimate reflection on mourning, memory, and the ways in which loss lives on in landscape, myth, and cultural inheritance.
The Bleeding Tree, NCAD Works 2025 exhibition, installation view
Hawthorn, Tree of Foreboding, hair print on shirt, 25 x 36cm
Yew, Tree of Liminal Spaces, hair print on compression sock, 15 x 43cm
Ash, Whispering Tree of the Dead, hair print on linen, 33 x 33cm
Tangle, photograph, drawing and projection, St. Nicholas Graveyard, Adare
Spread, photograph, drawing and projection, St. Nicholas Graveyard, Adare
The Briars, print, acetate, hair, approx 13 x 23cm
The Tree that Bleeds, sculpture, tinfoil, hair, crepe paper, approx. 18 x 18cm
The Hawthorn Tree, painting, 13 x 20cm